Notes
The Following Material was Copied from Wikipedia
1965-1969: New Waves – Sweep Around the World.
- Ashes and Diamonds (1958) dir. Andrzej Wajda
- Main character wears dark classes because he has been underground
- expressionist
- disguises meaning in symbols
- Two Men and a Wardrobe (1958) (introduced in Episode 4) dir. Roman Polanski
- cuts fast
- Hamlet (1948) dir. Laurence Olivier
- roman Polanski took inspiration from this
- Knife in the Water (1962) dir. Roman Polanski
- a very claustrophobic film
- has deep focus shots
- uses symbols
- The Fearless Vampire Killers (1967) dir. Roman Polanski
- cut off from society
- was about Jewish life
- The Hand (1965) dir. Jiří Trnka
- animated puppet film
- a very symbolic movie
- about corruption of man
- The Fireman’s Ball (1967) dir. Miloš Forman
- portrayed firemen as incompetent
- filmed without gloss
- Daisies (1966) dir. Věra Chytilová
- two women squeak like dolls
- has trippy scenes
- authorities hate this film
- The Red and the White (1968) dir. Miklós Jancsó
- has a roving three minute shot
- uses roving shots as tension
- doesn’t get close to characters faces
- Une journée d’Andrei Arsenevitch (2000) dir. Chris Marker
- lines up shots with tracking cameras
- Andrei Rublev (1966) dir. Andrei Tarkovsky
- film was banned for six years because it was religous
- The Mirror (1975) dir. Andrei Tarkovsky
- has putted colors
- Stalker (1979) dir. Andrei Tarkovsky
- Nostalghia (1983) dir. Andrei Tarkovsky
- camera uses reflection to show a giant cathedral that the story is contained in
- Shadows of our Forgotten Ancestors (1965) dir. Sergei Parajanov
- Andrei Tarkovsky & Sergei Parajanov – Islands (1988) dir. Levon Grigoryan
- has many symbolic elements and unique shots
- camera is seldom at eye level
- Boy (1969) dir. Nagisa Oshima
- shows us the cinasism of modern japan
- In the Realm of the Senses (1976) dir. Nagisa Oshima
- bold portrayal of women
- Love and Crime (1969) dir. Teruo Ishii
- The Insect Woman (1963) dir. Shōhei Imamura
- insect is a metaphor for humans
- Citizen Kane (1941) (introduced in Episode 2) dir. Orson Welles
- has character in the background in focus
- Nippon Sengoshi – Madamu Onboro No Seikatsu (1970) dir. Shōhei Imamura
- A documentary about a Japanese bartender
- very strait forward person
- Ajantrik (1958) dir. Ritwik Ghatak
- has heightened emotions in this film
- The Cloud-Capped Star (1960) dir. Ritwik Ghatak
- about original sin
- has a shot of a train slicing through nature
- distorts sound
- Jukti Takko Aar Gappo (1975) dir. Ritwik Ghatak
- has interesting slow pacing
- Uski Roti (1970) dir. Mani Kaul
- Black God, White Devil (1964) dir. Glauber Rocha
- filmed in brazil
- extremly fast editing
- I Am Cuba (1964) dir. Mikhail Kalatozov
- has wide angle lense, handheld
- has beautiful crane shot
- The House Is Black (1963) (introduced in Episode 2) dir. Forugh Farrokhzad
- sincere film
- about people with leprosy
- Black Girl (1966) dir. Ousmane Sembène
- innovative feature film
- black and white film
- Saturday Night and Sunday Morning (1960) dir. Karel Reisz
- about factory worker
- girl has to have an abortion in the film
- Kes (1969) dir. Ken Loach
- has an honest and direct film style
- A Hard Day’s Night (1964) dir. Richard Lester
- film about Beatles
- fast film
- Primary (1960) dir. Robert Drew
- a new type of documentary
- film makers didn’t stage scenes
- uses camera who follows JFK
- Shadows (1959) dir. John Cassavetes
- another documentary film
- Psycho (1960) dir. Alfred Hitchcock
- shot in black and white tv style
- has 7 different camera angles for a couple seconds of film
- 66 Scenes from America (1982) dir. Jørgen Leth
- filmed daringly realistically
- Blow Job (1963) dir. Andy Warhol
- Who’s Afraid of Virginia Woolf? (1966) dir. Mike Nichols
- cameraman is killed in this film
- Medium Cool (1969) dir. Haskell Wexler
- Easy Rider (1969) dir. Dennis Hopper
- a biker flick long lenses
- has rock soundtrack
- killed by duck hunters
- Making “The Shining” (1980) dir. Vivian Kubrick
- camera positioning was very important to him
- 2001: A Space Odyssey (1968) (introduced in Episode 1) dir. Stanley Kubrick
- cuts from pre human life to space travel
- Der Sieger (1921) dir. Walter Ruttmann
- has hallucinations