Notes
The following Material is Copied from Wikipedia
1967-1979: New American Cinema.
- Duck Soup (1933) dir. Leo McCarey
- satirized society
- Artists and Models (1955) dir. Frank Tashlin
- was about consumerism
- bright colors show that society is fake
- Catch-22 (1970) dir. Mike Nichols
- a great movie satire
- main characters world is upsidedown
- wells copied directors lines
- Mash (1970) dir. Robert Altman
- about another war
- records everyone lines and overlaps dialogue
- The Graduate (1967) dir. Mike Nichols
- floats in a pool and is expressionless
- has an every man quality
- The Fireman’s Ball (1967) (introduced in Episode 8) dir. Miloš Forman
- documentary like film
- One Flew over the Cuckoo’s Nest (1975) dir. Miloš Forman
- The Last Movie (1971) dir. Dennis Hopper
- challenged film style
- in peru
- filmed as a making of documentary
- a hate letter to American film
- McCabe & Mrs. Miller (1971) dir. Robert Altman
- no heroes in this film
- The Conversation (1974) dir. Francis Ford Coppola
- filmed in long lense to show that a character can hear them from a distance
- Mean Streets (1973) dir. Martin Scorsese
- a story of a modern saint in his society
- Taxi Driver (1976) (introduced in Episode 1) dir. Martin Scorsese
- has camera tracked away from someone to show embarrassment
- Chikamatsu Monogatari (1954) (introduced in Episode 3) dir. Kenji Mizoguchi
- Raging Bull (1980) (introduced in Episode 5) dir. Martin Scorsese
- about a self destructive man
- Italianamerican (1974) dir. Martin Scorsese
- American Gigolo (1980) (introduced in Episode 7) dir. Paul Schrader
- has eighties red lighting
- Light Sleeper (1992) dir. Paul Schrader
- about someone floating through the world
- Pickpocket (1959) (introduced in Episode 7) dir. Robert Bresson
- The Walker (2007) dir. Paul Schrader
- The Birth of a Nation (1915) (introduced in Episode 1) dir. D. W. Griffith
- racist film
- Killer of Sheep (1978) dir. Charles Burnett
- filmed in black and white
- has music from black artists
- The Shop Around the Corner (1940) dir. Ernst Lubitsch
- Annie Hall (1977) dir. Woody Allen
- intellectual
- far away from Hollywood attractive people
- City Lights (1931) (introduced in Episode 2) dir. Charlie Chaplin
- Annie Hall is based off of this
- Manhattan (1979) dir. Woody Allen
- has wide screen images
- The Last Picture Show (1971) dir. Peter Bogdanovich
- mixed old film techniques and new film techniques
- The Wild Bunch (1969) dir. Sam Peckinpah
- slowed down a scene
- Pat Garrett and Billy the Kid (1973) dir. Sam Peckinpah
- set at the end of the 1800’s
- someone shoots himself in the mirror because they can’t face themselves
- Badlands (1973) dir. Terrence Malick
- romantic film
- played war games
- Days of Heaven (1978) dir. Terrence Malick
- camera was attached to someone with a brace
- has very shallow shots
- Mirror (1975) (introduced in Episode 8) dir. Andrei Tarkovsky
- wind is nature coming alive in this film
- Cabaret (1972) dir. Bob Fosse
- The Godfather (1972) (introduced in Episode 6) dir. Francis Ford Coppola
- an assimilation film
- a gangster movie
- Chinatown (1974) dir. Roman Polanski
- about lust for power
- another assimilationist film
- someone was murdered in this film
- The Maltese Falcon (1941) (introduced in Episode 2) dir. John Huston
- Jules et Jim (1962) dir. François Truffaut
- about the presence of evil